Production coordinator union rates12/17/2023 ![]() ![]() It may include a wide range of tasks from clerical work, getting coffee, driving producers, wrangling extras, to tracking talent. ![]() does what nobody else wants to do! It’s an entry-level job yet extremely important. (Post-production crew is typically a separate budget and includes different crew positions.)Įxtras are considered “Below-the-Line” however, featured actors (principal talent) are considered “Above-the-Line.” ![]() In regards to job positions, this term means technical crew working in temporary positions, and these individuals do not have creative or financial control of the project nor receive residuals. “Below-the-line” is a film and television industry term derived from where the money is budgeted for technical crew working on a film or multimedia project as well as for costs related to the studio, equipment, travel, and location. This term means job positions that are associated with the creative or financial control of a film or multimedia project, not the technical aspects. “Above-the-line” is a film and television industry term derived from where the money is budgeted for creative talent, writers, directors, and producers. These terms evolved in reference to the budget line of a production. WHAT DOES “ABOVE-THE-LINE” AND “BELOW-THE-LINE” MEAN? There is also a visual of the Chain of Command. Recently, The Animation Guild (IATSE Local 839) successfully organized production managers, production supervisors, production coordinators, and production assistants (notably the same job titles as the unionizing commercial production workers) for The Simpsons, American Dad!, Family Guy, Rick and Morty, Titmouse New York, Titmouse L.A., ShadowMachine, and Solar Opposites.WHERE CAN I LEARN ABOUT THE JOB POSITIONS FOR PRODUCTIONS?Īlso in this section, you will find definitions of the majority of job positions in production. Other sectors of entertainment are seeing aggressive efforts to unionize production staffers as well. While production rates have increased somewhat since the guidelines were released, only a union has the legal power to negotiate on equal footing with the AICP to codify industry-wide improvements into a binding contract. Their proposed guidelines for production teams at various commercial production companies garnered thousands of petition signatures, and to date the organization has raised nearly $80,000 for its cause. Stand With Production is a grassroots movement of commercial production workers looking to improve deteriorating conditions, particularly in the wake of the COVID-19 pandemic. I9hDTGG3pJ- More Perfect Union July 21, 2022 This includes the right to be paid for all the days we work, to receive overtime and adequate rest time, to be paid day rates reflective of the current market with yearly pay increases, and access to retirement and pension plans so we can retire with dignity,” said a spokesperson for Stand With Production.īREAKING: Commercial production workers are unionizing with to combat the nightmarish conditions they face - heat exhaustion, abuse, 16+ hour days w/ no overtime pay.įor decades, these workers have been some of the only non-union workers on set. “Our community is coming together to create a pathway to the basic standards afforded to our unionized co-workers. ![]() While “crew” positions like Production Designers/Art Directors, Camera Operators, Hair and Makeup Artists, Script Supervisors, Grips, Lighting, Props, and Paint have historically been represented on TV commercial sets by IATSE, workers in the production department historically have not. As 160,000 strong working in all corners of the entertainment industry, including many who work on commercials directly alongside you, your fight is our fight.” Loeb said, “Commercial Production Workers’ issues are the very same ones this union has fought to address through collective bargaining for decades. These workers are joining together to address unsustainable hours, lack of reasonable rest, no employer-funded healthcare and retirement benefits, ineligibility for overtime pay, and limited access to safety and training. The unionizing workers include Production Assistants (PA’s), Line Producers, Production Supervisors, Assistant Production Supervisors, and others whose work facilitates TV Commercials seen by millions each year and produced under the Association of Independent Commercial Producers (AICP). LOS ANGELES, CA – Workers in production departments for TV commercials across the United States are going public with their union with the backing of the International Alliance of Theatrical Stage Employees (IATSE) and the Stand With Production movement. ![]()
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